In previous editions of Bastards, I’ve gone to great lengths to demonstrate how important villains are. They (should) offer resistance to the hero, and through this conflict, drama, excitement and entertainment is created. But not every film has to have a total clusterbastard like Darth Vader or the Joker to be great. Some films work just as well with just some little bastards, sprinkled here and there. One such film is Crocodile Dundee. Let’s find out why.